John Coltrane Live at the Village Vanguard Again 1966
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Live at the Village Vanguard Once again! is 1 of the more hotly contested albums in John Coltrane's catalog. Released less than a yr before his expiry, the original recording showcased his new quintet with Alice Coltrane, piano; Pharoah Sanders, tenor saxophone; Jimmy Garrison, bass; and Rashied Ali, drums. Additional percussion on the date was provided by Emanuel Rahim. The three selections hither are what survive from a much longer tape. Coltrane's signature ballad "Naima" opens the album and goes on for over 15 minutes. I of the most iconic tunes in his repertoire, the treatment it is given here is radical. While the melody is referenced in the showtime, Coltrane moves it aside adequately quickly to concentrate on improvisation. His tenor solo (heard in the left channel) begins in earnest a minute-and-a-half in. He gradually deconstructs the diverse phrases in the lyric to blow passionately through them. By the fourth dimension Sanders begins his (overly long) tenor solo (right channel), the abstraction becomes total. His intensity and ferocity are only more than than the ballad calls for. Even when Coltrane returns to solo once more, and gradually winds information technology down, he has to brainstorm at that hot peak. "Naima" is a dissimilar tune when all is said and washed. "My Favorite Things" is in ii parts. The first six minutes belong to a gorgeous, imaginative solo past Garrison. The tune'southward familiar theme is not stated by Coltrane until afterwards the mode is introduced; then bits and pieces of the melody are brought in until they become -- notwithstanding briefly -- the whole head line. It disappears speedily -- fifty-fifty though referenced occasionally throughout Coltrane's solos. His soprano solos are intense but utterly cute. His playing is pure passion and creative imagination, e'er aware of the shimmering cake chords played by Alice. Ali skitters propulsively effectually them, driving insistently until he's allowed to let loose when Sanders and his tenor begin their violent wail that simply disregards the entire tune salve for ane quote near the cease to bring Coltrane back in. Sanders screams through his horn throughout his solo, and when Coltrane rejoins him, it's to meet him and try to rein him in; information technology leaves the listener exhausted subsequently its 25-infinitesimal run. Alive at the Village Vanguard Once again! is certainly not for Coltrane newcomers, and may indeed only hold value for his most ardent followers despite its many qualities.
© Thom Jurek /TiVo
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Naima (Live From Village Vanguard/1966)
00:15:08
John Coltrane, MainArtist, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Thiele, Producer
℗ 1966 The Verve Music Grouping, a Division of UMG Recordings, Inc.
Introduction To My Favorite Things (Live From Village Vanguard/1966)
00:06:09
John Coltrane, MainArtist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Jimmy Garrison, ComposerLyricist - Bob Thiele, Producer
℗ 1966 The Verve Music Group, a Sectionalization of UMG Recordings, Inc.
My Favorite Things (Live From Hamlet Vanguard/1966)
00:20:21
Richard Rodgers, Composer - John Coltrane, MainArtist - Oscar Hammerstein II , Author - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Thiele, Producer
℗ 1966 The Verve Music Grouping, a Segmentation of UMG Recordings, Inc.
Anthology Description
Live at the Village Vanguard Again! is ane of the more hotly contested albums in John Coltrane's itemize. Released less than a twelvemonth before his decease, the original recording showcased his new quintet with Alice Coltrane, piano; Pharoah Sanders, tenor saxophone; Jimmy Garrison, bass; and Rashied Ali, drums. Additional percussion on the date was provided by Emanuel Rahim. The three selections hither are what survive from a much longer record. Coltrane's signature ballad "Naima" opens the album and goes on for over 15 minutes. One of the nearly iconic tunes in his repertoire, the handling it is given hither is radical. While the melody is referenced in the beginning, Coltrane moves information technology aside fairly quickly to concentrate on improvisation. His tenor solo (heard in the left aqueduct) begins in hostage a infinitesimal-and-a-half in. He gradually deconstructs the various phrases in the lyric to blow passionately through them. Past the time Sanders begins his (overly long) tenor solo (right channel), the abstraction becomes total. His intensity and ferocity are but more than the carol calls for. Even when Coltrane returns to solo again, and gradually winds information technology down, he has to begin at that hot top. "Naima" is a different tune when all is said and done. "My Favorite Things" is in two parts. The offset six minutes belong to a gorgeous, imaginative solo by Garrison. The tune's familiar theme is non stated past Coltrane until after the manner is introduced; and so bits and pieces of the melody are brought in until they go -- however briefly -- the whole head line. Information technology disappears rapidly -- fifty-fifty though referenced occasionally throughout Coltrane'south solos. His soprano solos are intense but utterly beautiful. His playing is pure passion and artistic imagination, ever enlightened of the shimmering block chords played by Alice. Ali skitters propulsively effectually them, driving insistently until he's allowed to let loose when Sanders and his tenor begin their violent wail that only disregards the entire tune salve for ane quote about the stop to bring Coltrane dorsum in. Sanders screams through his horn throughout his solo, and when Coltrane rejoins him, it'south to meet him and effort to rein him in; it leaves the listener exhausted later its 25-minute run. Live at the Village Vanguard Once more! is certainly non for Coltrane newcomers, and may indeed but hold value for his most ardent followers despite its many qualities.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - three track(s)
- Total length: 00:41:38
- Main artist: John Coltrane
- Composer: Diverse Composers
- Label: Impulse!
- Genre: Jazz
- 24-Flake 192.0 kHz - Stereo
© 1966 The Verve Music Group, a Partitioning of UMG Recordings, Inc. ℗ 2016 The Verve Music Group, a Division of UMG Recordings, Inc.
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